| Fiction, Ltd. Story #018 | explanation and main page |
I don't get much trouble pulling the late shift at a small ware- house, which is how I like it. Watching cartoons keeps the nights short, and if I want to bring girls around every once in a while, well, nobody notices. I can tell from what cartoons she likes whether or not a woman's going to believe I'm an earl. Hanna-Barbara shows from the 70's bespeak a kind of fixation on the working class; if my date goes in for those, she'll just think I'm joking. Bugs Bunny fans have the revolutionary mind- set, so they won't be impressed, but they don't figure I'm a liar. New stuff, like the Simpsons or Beavis & Butthead--people who like that will accept me at face value. They want to know if I have a castle or a family crest. I show them the tattoo on my left arm and tell them our castle got razed years ago, which is also true. Trouble, when it comes, comes from the Woodmans. They've got a moral problem with interstate shipping. I guess you know about the guys who block on-ramps in the midwest every Saturday: same church, different pew. The Woodmans send sarcastic shipments, like trucks full of water (ostensibly transporting a sea cow, but trust me, the first thing I did after I dried off was to check) or empty pallets coated in molasses, and they make me store them. As conversion efforts go, it's not bad; they can't afford more than one or two per month. I'm meant to see the turpitude inherent in carrying out my duties on a long-term basis. We can reclaim the space occupied by abandoned materials after a month. Last night, four or five toughs pulled up in a limo. Nothing that fancy pulls into my parking lot on purpose, as a general rule. I left Helen enjoying The Critic and grabbed a city map from the pile. The driver didn't take the map, though; in fact, he didn't move or speak for several minutes. Sensing a bad scene, possibly one that didn't involve me at all, I hung back, playing my flashlight over the ground near me in a meager gestural version of doing my job. An eighteen-wheeler rolled in as I was starting to get bored. My first thought was: clean. Chrome detailing isn't the oddest thing I've seen on a truck, but this looked like a brand-new job with, no joke, jeweled highlights to boot. Both drivers got out in unison, followed by the bare-knuckle types from the limo. Helen had gotten curious and come out to look. With a level-head- edness I found attractive, she silently pointed to the crests revealed under the bruisers' rolled-up right sleeves. I drew a long breath. Con- tenders. Usurpers. Whatever you called them, my father had demolished his home rather than leave any wealth for them when my side of the family fled Europe. I had no quarrel with them or their liege. If only I could have convinced them of that. I broke about half as many of their bones as Helen did, and yet they never laid a finger on her if they could help it, which makes me think they came straight from the old country. And yet, I wonder... When I came back this morning from the hospital, the truck was still parked. Curious, I pried open the back and was immediately buried in leaves. Two tons of beautiful, autumn-red leaves, complete with shipping manifest. I found an invoice in the hand of the driver, whose sawdust body fell apart as I touched it. The Woodmans! You really just have to laugh. written for Marie Hicks in my bathrobe 10/7/01Marie's words: sea cow, cartoons, nobility, parking lot, autumn-red leaves.
If you're reading several of these you may have noticed I have a fascination with people who willingly perform duties they don't really understand. Part of this may be sloppy storytelling; part is definitely the result of a fondness for dream-logic.
Speaking of sloppy storytelling, the thing with the truck driver is sort
of a weird continuity error. That's supposed to be a decoy at the end.
- everything is by Aaron Mandel; please ask first if you're about to steal
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